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B-3 Operation Manual 71
Programming Basics
Modulation Processors
Dynamic
Filters
The block diagram of the B-3’s signal path is shown below.
To understand how a filter works, we need to understand what makes up a
sound wave. A sine wave is the simplest form of sound wave. Any
waveform, except a sine wave, can be analyzed as a mix of sine waves at
specific frequencies and amplitudes.
Any waveform can be analyzed as a mixture of sine waves.
One way to represent complex waveforms is to use a chart with frequency
on one axis and amplitude on the other. Each vertical line of the chart
represents one sine wave at a specific amplitude and frequency.
Instrument
Amp
L
R
Freq. VolQ
Retrigger
Pitch
Glide
Glide
Start Offset
Pan
Z-Plane
Filter
20
40
60
80
100
40 80 160 360 720 1440 2880
Frequency
...
Amplitude
- OPERATION 1
- Operation Manual 2
- E-MU Systems 3
- Programming Basics 53 5
- Edit Menu 83 5
- Programming Tutorial 129 6
- B-3 Operation Manual 7
- Index 181 8
- Introduction 9
- Overview 10
- Important Safety 11
- Instructions 11
- Maintenance 12
- Save These Instructions 13
- Radio and 13
- Television 13
- Interference 13
- Foreign Language Warnings 14
- - German 14
- PERSONEN 15
- - French 17
- Interférences 19
- Radio et 19
- Télévision 19
- DECLARATION OF CONFORMITY 20
- B-3 Operation Manual 13 21
- Connection 22
- MIDI Out 23
- 16 E-MU Systems 24
- Connection Instructions 24
- Instant 25
- Gratification 25
- To Audition a Preset 26
- Bank Organization 27
- MIDI BANK SELECT 28
- Basic Operations 29
- 30
- Front Panel 31
- Controller 31
- To Quick-Edit a Preset 32
- KNOBS DEEP EDIT 33
- To Change the MIDI Channel 34
- To Change the Preset 34
- To Change the Channel Volume 35
- To Change the Channel Pan 36
- Navigator 37
- Multitimbral 38
- Operation 38
- Multisetup 39
- Restoring 40
- Multisetups 40
- RESTORE MULTISETUP 40
- 03 Jazz Encounter 40
- B-3 Operation Manual 33 41
- Sequencing 42
- Master Menu 43
- Defining 44
- MASTER VELOCITY CURVE 45
- MIX OUTPUT 46
- B-3 Operation Manual 39 47
- Master FXA 48
- Algorithm 48
- MASTER FXA ALGORITHM 48
- B-3 Operation Manual 41 49
- Selected 53
- 48 E-MU Systems 56
- MIDI Parameters 56
- B-3 Operation Manual 49 57
- Current Multisetup 58
- Program /Preset Map 58
- All User Tuning Tables 58
- Multimode Map 58
- SEND MIDI SYSEX DATA 59
- USER KEY TUNING Table:1 59
- Key: C1 Crs: 036 Fine: 00 59
- To Change the Master Tempo: 60
- Programming Basics 61
- Summing Nodes 62
- Modulation 63
- PatchCords 64
- Envelope 65
- Generators 65
- Frequency 67
- Oscillators 67
- LFO Synced to 1/4 Note Clock 69
- Destinations 70
- Processors 71
- Flip-Flop 72
- Quantizer 72
- Lag Inputs 72
- Preset Ramp 73
- Real Rocket Science 74
- Velocity ~ 75
- B-3 Operation Manual 69 77
- Preset Modulation Processors 77
- Dynamic 79
- Low Pass 80
- Amplitude 81
- Low Q Med Q High Q 81
- Parametric 83
- 76 E-MU Systems 84
- Dynamic Filters 84
- Z-Plane Filter 85
- MIDI Channels 86
- Real-time 86
- Controls 86
- B-3 Operation Manual 79 87
- Stereo Mix 89
- 82 E-MU Systems 90
- Stereo Mix Outputs 90
- Edit Menu 91
- PRESET NAME 92
- org: 8 0 8 0 8 8 0 6 3 92
- Four Layer 93
- Architecture 93
- Middle C 95
- C0 C1 C2 C3 C4 C5 C6 97
- Layer 1 Layer 2 98
- Fade Fade Switch 98
- Increasing Velocity0 99
- Layer 2Layer 1 99
- 92 E-MU Systems 100
- Edit Menu 100
- Defining Layer Parameters 100
- Switch Switch Switch 101
- Realtime Control Value 101
- 127112968064483216 101
- 94 E-MU Systems 102
- B-3 Operation Manual 95 103
- 96 E-MU Systems 104
- Tempo-Based Envelopes 105
- Key Down Key Released 106
- ASSIGN GROUP 109
- 102 E-MU Systems 110
- Filter Types 111
- Filter Parameters 114
- Envelope Repeat 115
- To Turn on Envelope Repeat: 115
- Defining the Filter Envelope 115
- 108 E-MU Systems 116
- Auxiliary Envelope 116
- LFO Tricks & Tips: 117
- 0 118
- Variation 120
- Control Value Applied 122
- LFO 1 & 2 Trigger 123
- Parameters 125
- Jack Detect 126
- FXA ALGORITHM 127
- Lg Concert Pan 127
- B Effect Types 128
- Initial Controller 131
- INITIAL CONTROLLER AMT 131
- The Just C Tuning Tables 133
- Just C2 minor 133
- 126 E-MU Systems 134
- Preset Links 134
- B-3 Operation Manual 127 135
- Preset Tempo Offset 135
- 128 E-MU Systems 136
- Play Solo Layers 136
- Programming Tutorial 137
- 130 E-MU Systems 138
- Editing Presets 138
- To Chorus a Layer 139
- To Setup the Volume Envelope 140
- B-3 Operation Manual 133 141
- Adding the Filter Envelope 142
- To Setup the Filter Envelope 142
- Instrument 143
- Changing Filter Types 144
- Linking 147
- 140 E-MU Systems 148
- Linking Presets 148
- Effects 149
- 142 E-MU Systems 150
- Effects Overview 150
- A Effect Types 151
- High Frequency Damping 152
- Feedback 152
- LFO Rate 152
- Programmed 153
- 146 E-MU Systems 154
- Master Effects 154
- Flexible Effects 156
- “multi” for the mode 157
- FX MULTIMODE CONTROL 158
- Effect B 159
- Effect A 159
- General Effect 160
- Descriptions 160
- B-3 Operation Manual 153 161
- General Effect Descriptions 161
- 154 E-MU Systems 162
- Save/Copy Menu 163
- Copying 164
- Information 164
- L1 -> L4 165
- To Copy a Preset Bank 166
- To Create a Random Preset 166
- To Copy a User Bank to Flash 167
- 162 E-MU Systems 170
- Copying Information 170
- Appendix 171
- B-3 Preset 172
- Nomenclature 172
- Preset Catagories 173
- Riff Listing 176
- Instrument Listing 178
- B-3 Instrument 178
- Velocity 179
- 172 E-MU Systems 180
- Velocity Curves 180
- PatchCord 181
- Amount Chart 181
- MIDI Implementation Chart 182
- Bn 00 bb 184
- Bn 20 bb 184
- Technical 185
- Specifications 185
- Warranty 186
- Restrictions 186
- How To Obtain 186
- Warranty Service 186
- Personnel 187
- Equipment 187
- 180 E-MU Systems 188
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