E-Mu Morpheus Especificaciones Pagina 131
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Vintage Pro Owners Manual 121
Edit Menu
Defining Layer Parameters
To Set Up a Velocity Crossfade Between Layers
Set the velocity fades so that layer 1 fades out with higher key velocity,
while layer 2 fades in. At a velocity of 64, the two sounds are equal volume.
You may want to adjust the fade in and fade out points to achieve a natural
sounding crossfade. These parameters vary depending on the sounds.
Increasing Velocity0
127
Layer 2Layer 1
Layer 2Layer 1
L1
VEL: LO FADE HIGH FADE
0
00 000 127 127
L2
VEL: LO FADE HIGH FADE
0
00 127 127 000
- Vintage Pro 1
- Table of Contents 2
- Vintage Pro Owners Manual 3
- E-MU Systems 10
- Introduction 11
- Overview 13
- Important Safety Instructions 14
- Radio and 16
- Television 16
- Interference 16
- SCHLAG ODER PERSONENSCHADEN 18
- Vintage Pro Owners Manual 9 19
- 10 E-MU Systems 20
- Conservez ces instructions 22
- Interférences 22
- Connection 24
- Instructions 24
- 0.987654321 25
- Performance Setup 26
- Instant 28
- Gratification 28
- To Audition a Preset 29
- Bank Organization 30
- Basic Operations 31
- Front Panel 33
- Controller 33
- To Quick-Edit a Preset 34
- KNOBS DEEP EDIT 35
- To Change the MIDI Channel 36
- To Change the Preset 36
- To Change the Channel Volume 37
- To Change the Channel Pan 37
- arp: Classic 38
- C01A V127 P01 38
- A:off User 38
- Navigator 39
- Operation 40
- Arp/Beats Menu 41
- BASE TEMPO 43
- 20 bpm (current: 182) 43
- Factory Setup 45
- Beats Channel (BtsCh) 46
- Trigger Channel (TrigCh) 46
- bts: SynhissOrgan 47
- Original 49
- Transposed 49
- BEATS KEYS LAYOUT 50
- BEATS KEYS OFFSET 51
- +000 keys 51
- BEATS PART VELOCITY 52
- Scaled by: trigger vel 52
- BEATS PART TRANSPOSE 53
- +00 semitones 53
- To Assign a Part to a Group: 54
- To Assign the Master Riff: 54
- To Set the Riff Tempo Mode: 55
- 46 E-MU Systems 56
- C01 V127 P00 57
- A:P User 57
- arp: Sine Drum 57
- Arpeggiator 58
- Master Arpeggiator Parameters 59
- Key Sync 63
- Quantize 63
- 54 E-MU Systems 64
- Pre-Delay Duration Post-Delay 65
- Send MIDI 66
- Exclusive Data 66
- Velocity Duration Repeat 67
- + OffsetOffset 68
- To Edit a User Pattern: 69
- To Name a User Pattern: 70
- Multi-Channel 71
- Arpeggiating 71
- Using a MIDI 72
- Interface to 72
- Channelize 72
- Master Menu 73
- Defining 74
- MASTER VELOCITY CURVE 75
- MIDI CHANNEL 77
- 68 E-MU Systems 78
- Mix Screens 78
- 72 E-MU Systems 82
- Selected 85
- 78 E-MU Systems 88
- MIDI Parameters 88
- Current Multisetup 90
- Program /Preset Map 90
- All User Tuning Tables 90
- Multimode Map 90
- SEND MIDI SYSEX DATA 91
- USER KEY TUNING Table:1 91
- Key: C1 Crs: 036 Fine: 00 91
- Volu m e 94
- Envelope 97
- Generators 97
- Oscillators 99
- Modulation 100
- LFO Synced to 1/4 Note Clock 101
- Destinations 102
- Processors 103
- Flip-Flop 104
- Quantizer 104
- Lag Inputs 104
- Real Rocket Science 106
- Velocity 107
- 98 E-MU Systems 108
- Programming Basics 108
- Preset Modulation Processors 108
- Dynamic 111
- Low Pass 112
- Band Pass 113
- Frequency 113
- Amplitude 113
- Low Q Med Q High Q 113
- Parametric 115
- 106 E-MU Systems 116
- Dynamic Filters 116
- Instrument 117
- Z-Plane Filter 117
- MIDI Channels 118
- Real-time 118
- Controls 118
- Preset Edit 119
- MIDI BANK SELECT 120
- Stereo Mix 121
- MIX OUTPUT 122
- MIX OUTPUT 122
- Edit Menu 123
- 114 E-MU Systems 124
- Four Layer 125
- Architecture 125
- Defining Layer 126
- Parameters 126
- Defining Layer Parameters 127
- 128
- C0 C1 C2 C3 C4 C5 C6 129
- Layer 1 Layer 2 130
- Fade Fade Switch 130
- Increasing Velocity0 131
- Layer 2Layer 1 131
- 122 E-MU Systems 132
- Realtime Control Value 133
- 124 E-MU Systems 134
- 126 E-MU Systems 136
- Tempo-Based Envelopes 137
- Key Down Key Released 138
- ASSIGN GROUP 141
- 132 E-MU Systems 142
- Filter Types 143
- Filter Parameters 146
- FILTER ENVELOPE 147
- FILTER ENVELOPE 147
- Repeat: off 147
- (two cords) 149
- Variation 152
- PatchCords 153
- Control Value Applied 154
- LFO 1 & 2 Trigger 155
- Jack Detect 158
- FXA ALGORITHM 159
- Lg Concert Pan 159
- B Effect Types 160
- The Just C Tuning Tables 165
- Just C2 minor 165
- 156 E-MU Systems 166
- Preset Links 166
- Preset Tempo Offset 167
- 158 E-MU Systems 168
- Play Solo Layers 168
- Programming Tutorial 169
- 160 E-MU Systems 170
- Editing Presets 170
- To Chorus a Layer 171
- To Setup the Volume Envelope 172
- Adding the Filter Envelope 174
- To Setup the Filter Envelope 174
- Changing Filter Types 176
- Envelope Repeat 177
- Linking 179
- Using External 180
- Processing 180
- Multitimbral 181
- Sequencing 181
- 172 E-MU Systems 182
- Multitimbral Sequencing 182
- Effects 183
- 174 E-MU Systems 184
- Effects Overview 184
- A Effect Types 185
- High Frequency Damping 186
- Feedback 186
- LFO Rate 186
- Programmed 187
- 178 E-MU Systems 188
- Master Effects 188
- Flexible Effects 190
- “multi” for the mode 191
- FX MULTIMODE CONTROL 192
- Effect B 193
- Effect A 193
- General Effect 194
- Descriptions 194
- General Effect Descriptions 195
- 186 E-MU Systems 196
- Save/Copy Menu 197
- Copying 198
- Information 198
- COPY CORDS User 199
- : Source Preset 199
- To Copy a Preset PatchCord 200
- To Copy a Preset Bank 201
- 192 E-MU Systems 202
- Multisetups 202
- To Save a Multisetup: 203
- Create Random 204
- Any User Preset 204
- Authoring 205
- 198 E-MU Systems 208
- Sound Authoring 208
- Appendix 209
- Beat Preset 210
- Knob Function 210
- Arp Preset 210
- User Bank 0, VROM Bank 0 211
- User Bank 1, VROM Bank 1 212
- User Bank 2, VROM Bank 2 213
- User Bank 3, VROM Bank 3 214
- Instrument Listing 216
- Riff Listing 219
- 212 E-MU Systems 222
- Velocity Curves 222
- PatchCord 223
- Amount Chart 223
- Expansion 224
- Sound Sets 224
- E-MU Expansion Sound Sets 225
- Installing 226
- Sound SIMMs 226
- Replace the Top Cover 227
- Problems? 227
- MIDI Timing & Sync 228
- Extension Capability 229
- Vel->amp 232
- MIDI Device Inquiry Responses 234
- Received Channel 235
- Commands 235
- Bn 00 bb 235
- Bn 20 bb 235
- Technical 236
- Specifications 236
- Warranty 237
- Restrictions 237
- How To Obtain 238
- Warranty Service 238
- Numerics 239
- 238 E-MU Systems 248
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