E-Mu B-3 Instrucciones de operaciones descargar pdf (Pagina 197)

Chapter 11: Reference Section 187

Z-PLANE FILTER DESCRIPTIONS

F073 BassDrumEQ

Morph: Adds low end boost.

Freq. Tracking: Tends to smooth out the filter.

Transform 2: This adds high end at the expense of low end.

Comments: This is an EQ filter designed for bass drums, based on a

low pass EQ filter. The transforms tailor to different types of bass

drums.

F074 Snare LPEQ2

Morph: Controls brightness.

Freq. Tracking: This moves the mid range bump down a bit.

Transform 2: This will smooth the boost (widens the “Q”).

Comments: This is an EQ filter designed for snares, based on a low

pass EQ filter. There is a strong boost in the 320Hz to 640Hz range

and some boost on the low end to give it some punch. The trans-

forms tailor to different types of snares.

F075 HiHatLPEQ

Morph: Controls brightness.

Freq. Tracking: Tends to make the EQ more complex.

Transform 2: Tends to modify the low end.

Comments: This is an EQ filter designed for hi hats, based on a low

pass EQ filter. There is a strong boost in the 5kHz to 18kHz range

and some cut on the low end. The transforms tailor to different

types of hi-hats.

COMPLEX FILTERS

Many of these filters have never existed for musical applications

before!

F076 HP LP PZ

Morph: Sets how open or closed the filter is.

Freq. Tracking: Sets the transition from high pass to low pass.

Transform 2: This sets the sharpness of the cut off.

Comments: This Pole/ Zero filter models both low pass and high

pass filters.

F077 PZ Notch

Morph: Sets the notch's center frequency.

Freq. Tracking: This deepens the notch (more cut).

Transform 2: This makes the notch wider (widens the “Q”).

Comments: This Pole/ Zero filter is a notch that ranges from 80Hz

to 10kHz.

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E-Mu B-3 Instrucciones de operaciones Pagina 197