E-Mu B-3 Instrucciones de operaciones descargar pdf (Pagina 204)

Morpheus Operation Manual194

Z-PLANE FILTER DESCRIPTIONS

F110 Tam

Morph: Sweeps frequencies from low to high. Try routing velocity

or mod wheel to Morph with offset at 255.

Freq. Tracking: Designed for velocity control of volume & bright-

ness.

Transform 2: Controls brightness and depth.

Comments: Designed to make interesting, dynamic tambourine

sounds.

F111 HOTwell.4

Morph: Sweeps frequency range.

Freq. Tracking: Determines degree of frequencies accentuated.

Transform 2: Not used.

Comments: Works well with bell-like sounds.

F112 Bell.Waha

Morph: Sweeps between flat and bell.

Freq. Tracking: Provides key tracking to fix partials.

Transform 2: More dissonance and effect.

Comments: Morphing can pull bell-like sounds out of any sample.

Transform 2 adds more dissonance. This is best used with

BellWahb which has a similar action but uses different dissonant

partials.

113 Belwahb

Morph: Sweeps between flat and bell.

Freq. Tracking: Provides key tracking to fix partials.

Transform 2: Controls dissonance and depth of effect.

Comments: See BellWaha

F114 0>Bell-

Morph: Sweeps from flat to dissonance.

Freq. Tracking: Provides key tracking to fix dissonant partials.

Transform 2: Increases bell-like effect, makes brighter, louder.

Comments: To be used in conjunction with 0>Bell+. Morphing

sweeps partials downwards just away from harmonic values caus-

ing bell-like effects.

F115 0>Bell+

Morph: Sweeps from flat to dissonance.

Freq. Tracking: Provides key tracking to fix dissonant partials.

Transform 2: Increases bell-like effect, makes the sound brighter

and louder.

Comments: To be used in conjunction with 0>Bell-. Morphing

sweeps partials to a different dissonance than with 0>Bell-.

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E-Mu B-3 Instrucciones de operaciones Pagina 204