E-Mu B-3 Instrucciones de operaciones Pagina 212

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Morpheus Operation Manual202
Z-PLANE FILTER DESCRIPTIONS
F153 Bw65Hz/2k.4
This filter is similar to filter 152, but in addition to sweeping the
bandwidth of a single peak along the Morph and Frequency
Tracking axes, the peak itself is swept. The range of the frequency
sweep is one octave along either axis, although much greater
ranges of change are achieved when both the Morph and Fre-
quency Tracking axes are combined. Effects range from gentle,
analog-style filter sweeps (with the Frequency Tracking parameter
set low), to more ‘digital’ sounding effects in which high-pitched,
whistling harmonics are produced.
Morph: Controls bandwidth and frequency.
Freq. Tracking: Tunes the filter.
Transform 2: Not used.
F154 Bb80Hzbw1.4
With a Morph Offset value of “0”, the lowpass filter cutoff is set at
400Hz, and there is a wide-band bump at 80Hz. Morphing the
filter increases the gain of this bump from 6 dB to 24 dB. Fre-
quency Tracking increases the cutoff to 19.5kHz, and decreases the
bandwidth of the 80Hz bump.
Morph: Controls bandwidth.
Freq. Tracking: Tunes the filter.
Transform 2: Not used.
F155 HighsTwist4
The frequencies of the poles and zeros in this filter remain con-
stant as Morph or Freq. Tracking are modulated, but the ‘Q’ values
are modulated in a variety of ways. The filter is closest to flat (with
some emphasis in the high frequency range and a small bump at
about 200Hz) when Morph Offset and Frequency Tracking are
both set to 000. Modulating either or both of these parameters
upward emphasizes more of the highs, with increased values for
Frequency Tracking, rolling off the lows as well.
Morph: Controls filter ‘Q’.
Freq. Tracking: Modulate upward for thinner, brighter sounds.
Transform 2: Not used.
F156 Cubix
Morphing this filter produces a lowpass filter sweep effect, while
pushing the Frequency Tracking parameter in a positive direction
moves the filter towards a more flat response, with a bit of subtle
emphasis in the higher frequencies.
Morph: Produces low-pass filter effects.
Freq. Tracking: Use to control key tracking or to set overall filter
depth.
Transform 2: Controls brightness.
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