E-Mu B-3 Instrucciones de operaciones descargar pdf (Pagina 208)

Morpheus Operation Manual198

Z-PLANE FILTER DESCRIPTIONS

F134 TSweep.4

A grouping of inharmonically related peaks gives this filter some-

thing of a metallic quality, although it can also produce voice-like

sounds. Increasing Morph Offset increases overall filter resonance

and raises the cutoff point of the lowpass filter. Frequency Track-

ing can be used to tune the filter.

Morph: Controls ‘Q’; controls lowpass cutoff.

Freq. Tracking: Tunes the filter.

Transform 2: Not used.

F135 SweepHiQ1.4

Morph: Sweeps from peaks at 150Hz, 430Hz, 870Hz , 1500Hz,

3000Hz and 7000Hz to peaks an octave higher.

Freq. Tracking: Introduces high Q peaks at 1.2kHz and 3.4kHz to

narrowly spaced peaks at 1500Hz to 15kHz.

Transform 2: Not used.

F136 V>FcQuad.4

Designed for velocity to control filter cut-off. Each frame has an

octave higher cut-off than the one before it.

Morph: Moves from a bump at 320Hz then a brickwall cut-off up

an octave.

Freq. Tracking: Tracks keyboard.

Transform 2: Not used.

F137 Nexus.4

Morph: Moves from a brickwall low pass to higher frequency,

relaxed slope response.

Freq. Tracking: Frequency Tracking at maximum inverts effect of

morph.

Transform 2: Not used.

Comments: Designed for Frequency Tracking to control brightness

with velocity.

F138 Krators.4

Morph: Provides resonant peaks at low-frequencies, morphing

from lower to higher frequency.

Freq. Tracking: Controls brightness.

Transform 2: Not used.

Comments: Designed to control brightness by assigning Velocity

to Frequency Tracking.

••• A “brickwall” filter is one

with an extremely steep

slope.

1 2 ... 203 204 205 206 207 208 209 210 211 212 213 ... 269 270

Sin comentarios

E-Mu B-3 Instrucciones de operaciones Pagina 208