E-Mu B-3 Instrucciones de operaciones descargar pdf (Pagina 206)

Morpheus Operation Manual196

Z-PLANE FILTER DESCRIPTIONS

F123 Swingshift

Morph: Try setting Transform 2 to 255 for brighter morph. Modu-

lates from low-frequency cut-off to series of peaks at 349Hz,

494Hz, 698Hz, 988Hz etc.

Freq. Tracking: Tracks filter with keyboard.

Transform 2: Adds depth, volume.

F124 500up.4

Poles and zeros alternate, spaced at 500Hz intervals. Increasing

Morph Offset boosts the peaks slightly, and greatly deepens the

notches, producing an effect similar to band-pass filtering. This

effect is further accentuated by increasing the Frequency Tracking

value, as well as tuning the entire filter higher.

Morph: Increases depth of notches.

Freq. Tracking: Tunes the filter.

Transform 2: Not used.

F125 C1Harmonic5oct.8R

Morph: Try setting Transform 2 to maximum. Controls resonance.

Freq. Tracking: Controls resonance.

Transform 2: Tunes the filter.

F126 Odd>Even

Morph: Changes from odds to even harmonics.

Freq. Tracking: Provides key tracking to maintain spectrum.

Transform 2: Controls brightness and volume.

Comments: Odd harmonics are replaced by evens. Can give an

impression a raising one octave.

F127 0>Shp1

Morph: Changes from flat to shape.

Freq. Tracking: Provides key tracking to maintain spectrum.

Transform 2: Controls brightness and volume.

Comments: Imposes a vowel like shape on a pure sound. (Can be

useful for morphing in and out using two samples.)

F128 0>Shp2

Morph: Changes from flat to shape.

Freq. Tracking: Provides key tracking to maintain spectrum.

Transform 2: Controls brightness and volume.

Comments: More vowel like changes than 0>Shape1.

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E-Mu B-3 Instrucciones de operaciones Pagina 206