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5 - Effects
Effects Descriptions
E-MU Systems 79
Delay
Background: Delay
A delay line makes a copy of the incoming audio, holds it in memory, then plays it
back after a predetermined time.
Long delays produce echoes, short delays can be used for doubling or slapback effects.
Very short delays can be used to produce resonant flanging and comb filter effects or
create monotone robotic-sounding effects (Hint: use feedback). Stereo signals are
summed together before entering a mono delay.
A feedback path recirculates the delayed audio back around through the delay line.
When creating echo effects, the feedback controls how many echoes will be produced.
With short delay settings, the feedback control acts as a resonance control, increasing
the amount of comb filtering produced by the delay line. See “
Flanger” on page 85.
A Tone control in the feedback path cuts some of the high frequency energy each time
the audio goes through the delay line. This simulates the natural absorption of high
frequencies in a room and can also be used to simulate tape-based echo units.
The Wet/Dry mix controls how loud the echoes are in relation to the original signal.
This Delay is a true stereo delay line with completely independent left and right
channels right channels. This delay line features four different modes, which affect how
the signals are routed and cross coupled.
Discrete stereo
Use this mode when you want to preserve the stereo image of the delayed signals. You
can also create panning effects by setting one delay long and the other short.
Left
Delay
Right
Delay
Left
In
Right
In
Left
Out
Righ
t
Out
L Delay Time
R Delay Time
FeedbackHF Damping
HF
Damp
HF
Damp
Delay Mode:
Discrete stereo
The left and right
channels are kept
totally separate.
- E-MU Systems 1 1
- Operation Manual 2
- Table of Contents 3
- 4 Proteus VX Operation Manual 4
- E-MU Systems 5 5
- 6 Proteus VX Operation Manual 6
- E-MU Systems 7 7
- 8 Proteus VX Operation Manual 8
- Introduction 9
- System Requirements 10
- Software Installation 10
- Setting up Cubase LE 11
- and Proteus XVSTi 11
- MIDI Channel 15
- On Your Own 16
- Proteus VX 16
- Main Window 16
- Troubleshooting Checklist 17
- Setting up the Preferences 18
- Audio Preferences 19
- Headroom/Boost 20
- VST Output Buses 20
- MIDI Inputs 21
- MIDI Response 21
- Controllers 22
- Other Settings 23
- E-MU Systems 25 25
- 2 - Guided Tours 27
- Multisetup Page 28
- Single View Close-up 29
- Channel 1-16 View 30
- Adjusting the Controllers 31
- Create Your Own Custom Bank 32
- Save and Save As 33
- Proteus VX Bank Structure 33
- The Librarian 34
- Find your Files 35
- Load your Files 35
- The Multisetup 37
- Saving your Multisetup 39
- The Output View 41
- Global Controls 42
- Proteus VX Aux Bus Routing 43
- Filter Descriptions 44
- E-MU Systems 45 45
- Preroll RAM Used 46
- CPU Meter 47
- Number of Samples Playing 47
- Current Channel 47
- Working with Multisetups 48
- E-MU Systems 49 49
- 4 - Preset Editor 51
- Preset Globals 52
- Capture MIDI Controllers 53
- TwistaLoop Lock To Tempo 53
- Initial Tempo 53
- Tuning Tables 54
- E-MU Systems 55 55
- Preset Modulators 56
- Templates 56
- Channel Lag 1 & 2 Rate 57
- Poly Key Timer 57
- Channel Ramp 58
- 5 - Effects 59
- Programming Effects 60
- Adding an Effect to a Preset 61
- FX Routing 63
- Effects Overhead 64
- Typical Effects Usage 64
- VSTi Bus Outputs 64
- Main Output Window 65
- Aux FX Screen 67
- Preset FX Screen 68
- E-MU Systems 69 69
- E-MU Systems 71 71
- Effects Listing 72
- Effects Descriptions 72
- Early Reflections Reverb 73
- Reverb Lite (mono) 74
- Background: Chorus 75
- Modulation Parameters 75
- Chorus / Delay 76
- Compressor 77
- Delay Mode: 79
- Discrete stereo 79
- Feedback 80
- Delay (BPM) 82
- (stereo) 88
- Pitch Shifter (mono) 89
- Ring Modulator 90
- Modulator 91
- TremFilter 92
- Tremulator Waveforms 93
- Drag & Drop 98
- Changing Settings 98
- Main Display View 100
- Tree View 100
- Refresh (F5) 101
- Context Sensitive Menus 101
- Undo/Redo 101
- View Menu 102
- 6 - Controls 102
- 7 - Synthesizer Basics 103
- Modulation 104
- Modulation Cords 105
- Envelope Generators 106
- Inverted Sawtooth 107
- Sawtooth 107
- Random Sources 108
- Clock Modulation 108
- Function Generators 109
- Modulation Destinations 110
- Modulation Processors 111
- Dynamic Filters 112
- Frequency 113
- Amplitude 113
- Parametric 115
- The Z-Plane Filter 116
- E-MU Systems 117 117
- Preferences 118
- Voice Edit 118
- MIDI Program Change Commands 119
- MIDI Modes 119
- 8 - Appendix 121
- Toolbar Functions 122
- MIDI Implementation Chart 123
- See note 126
- Received Channel Commands 127
- Special Notes: 127
- Controller Functions 128
- Numerics 129
- E-MU Systems 131 131
- E-MU Systems 133 133
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