
5 - Effects
Effects Descriptions
82 Proteus VX Operation Manual
Delay (BPM)
The BPM Delay is similar to the Stereo Delay except that the delay time is synchronized
to the master (MIDI) clock in note divisions. This allows you to easily set up synchro-
nized echoes to your beats. Because the left and right channels are completely
independent, you can set up different synchro-sonic patterns on each side. The four
modes are the same as the stereo delay.
See page 79 for full
descriptions and
diagrams.
Modulation Parameters
• Wet/Dry Mix
• Left Delay Division (Changes the division by a power of 2, up or down.)
• Right Delay Division (Changes the division by a power of 2, up or down.)
• Feedback
Parameter Description
Left Delay
Division
Sets the length of the delay for the left channel in milliseconds.
Range: 4/1 note to 1/64 dotted-note
Right Delay
Division
Sets the length of the delay for the right channel in milliseconds.
Range: 4/1 note to 1/64 dotted-note
Mode Changes the signal routing of the delay. The four modes are:
Discrete stereo - signal paths remain completely separate.
Ping Pong, stereo - The feedback paths feed the opposite channel.
Ping Pong, mono L->R - The effected signal is summed to mono,
then fed down the left channel whose feedback path feeds the right
channel. The right channel feedback path feeds the left channel.
Ping Pong, mono R->L - This is the same as the previous algorithm
except that the L-R channels are reversed.
Feedback Sets the amount of delayed signal that will be recirculated through
both delay lines. Range: 0% to 100%
HF Damping High Frequency Damping cuts the high frequency content in the
feedback paths. This causes the echoes to decay naturally away
Left
Delay
Right
Delay
Left
In
Right
In
Left
Out
Righ
Out
L Delay Division
R Delay Division
Feedback
HF Damp
HF
Damp
HF
Damp
Delay Mode:
Discrete stereo
The left and right
channels are kept
totally separate.
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